But what’s clear is that this is one of the most powerful units to control or add to your guitar’s sound there is. Whether this counts as a guitar synth pedal or a DAW that sits on your board, it’s hard to say. The pedal also includes modules for standard guitar effects and can generate its own notes independent from your guitar playing. It’s based around modular synthesis – giving truly granular control of each aspect of the synth’s sound. On first glance, this appears to be a piece of DJ equipment rather than a guitar pedal. Perfect if you want to add in a bit of synthesis but want to be sure to avoid the sound of an out-of-the-box digital preset. Due to the straightforward, analogue nature of the pedal it can blend traditional monophonic synth tones with more traditional fuzz and tremolo sounds. Seymour Duncan bills The Fooz as an “analogue fuzz synthesiser,” as its synth tone is generated by slamming your guitar signal into a squarewave with a fuzz, which then acts as the oscillator component for the rest of the pedal’s modules. The pedal has a considerably smaller footprint than the Future Impact V3 – meaning it’s perhaps more suited to slotting into a bigger rig. This means that the controls on the box are reserved for basic operation such as setting the wet/dry mix or the waveform. On the face of it, it seems quite a simple pedal – but like the pandaMidi, the C4 is capable of being hooked up to an external editor program. The C4 was inspired by Source Audio’s chief sound engineer Bob Chidlaw’s own Eurorack Synthesiser – so right off the bat there’s some heavy heritage behind this stompbox. Some extra flairs such as glide or vibrato, and the ability to mix the different voices of the pedal, mean the Data Corrupter produces a broad range of tones despite its single oscillator – tones that are anything but pretty. But the extensive controls hide a single Monophonic master oscillator – which, after your signal has been chopped and screwed to pieces, adds in a thick, synthesised octave tone with a hefty subharmonic. When gazing upon the many-knobbed face of the Data Corrupter, you may start looking for the switch that lowers the landing gear, and the one to engage the afterburners. The actual sounds are fairly straightforward, but if you’re looking for exacting management of your synth stompbox’s tones then you might want to grab an Enzo. The deceptively simple controls allow for an enormous amount of tweaking of either monophonic, polyphonic or arpeggiated synth voices. Incorporating an envelope filter, ring modulation and a multi-voice dual oscillator, MIDI clock synchronisation, and much, much more, the Enzo is a no-holds-barred premium synth pedal. An effects loop also allows for modulation or reverb to be added to the frozen, synthesised chords the pedal is outputting. The glissando control means the pedal’s synth tones will slide to the next chord you play, perfect for dreamy ambience. If the pedal’s on-board controls aren’t cutting it for you, there’s the option to hook it up to a computer and fiddle with the sounds at an even deeper level, or use pandaMidi’s sound sharing service to see what others are doing with the unit.Īs well as being able to generate tones, it can function as a straightforward multi-effects unit – so the pandaMidi Future Impact V3 could replace your whole board, if you’re so inclined.Ī more direct approach is found in the Superego: the focus here is not on voices, but on the ethereal polyphonic accompaniment that allows you to manually build up textures using the latch functionality, or let the pedal track the changes in your playing to add to the layers. The pedal’s ‘virtual analogue’ sound engine offers four oscillators with extensive waveshaping, as well as two filters. The Future Impact is aimed at bass players, but the spaceship-level processing power on display here means it takes pretty much any instrument as well as you could hope. Lists for $99 / £84.65 pandaMidi Future Impact V3 The E7 presents a viable option for guitarists who want to dip their tones into the world of Synth stompboxes without losing too much cash or room on their board. While it might not be the most fully-featured and customisable synth pedal on this list, for its price and size it definitely shows off Mooer’s mini-pedal pedigree.
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